IN THE COUNTENANCE OF KINGS
(For Pixie | Concerto 622 | In The Countenance of Kings)
April 24-26 & May 1-3, 2026 at Peter Martin Wege Theatre
Experience the exhilarating energy of In the Countenance of Kings, a breathtaking ballet by Justin Peck, one of the most sought-after choreographers in the world today. Originally created for San Francisco Ballet in 2016, this electrifying work features music by indie musician and Michigan native Sufjan Stevens, blending classical technique with contemporary movement in a way that feels both fresh and timeless.
Peck, a two-time Tony Award winner known for his choreography in Broadway’s Illinoise and Steven Spielberg’s West Side Story, brings his signature musicality and innovative style to the stage. Grand Rapids Ballet Artistic Director James Sofranko, who performed in Countenance of Kings with San Francisco Ballet, describes it as “a celebration of youth and energy that inspires belief in the future of dance.”
This powerful program also features Lar Lubovitch’s Concerto 622, a poignant and tender duet for two men, along with Dani Rowe’s For Pixie, a sultry and passionate duet. Additional works will be announced.
IN THE COUNTENANCE OF KINGS | DATES & TIMES
Friday, April 24, 2026
- Evening performance at 7:30 p.m. | Get Tickets
Saturday, April 25, 2026
- FREE Family Matinee performance at 2:00 p.m. – Featuring an introduction to the world of professional ballet and an excerpt of the Be Here Now program, this family focused production will last about 45-60 minutes. | Tickets available closer to performance date.
- Evening performance at 7:30 p.m. | Get Tickets
Sunday, April 26, 2026
- Matinee performance at 2 p.m. | Get Tickets
Friday, May 1, 2026
- Evening performance at 7:30 p.m. | Get Tickets
Saturday, May 2, 2026
- Evening performance at 7:30 p.m. | Get Tickets
Sunday, May 3, 2026
- Matinee performance at 2 p.m. | Get Tickets
KNOW BEFORE YOU GO
Estimated Run Time: Coming soon
Seating: Reserved seating
Tickets: Tickets go on sale mid-July
Accessibility: Accessible and companion seating available
Please contact the Grand Rapids Ballet Box Office with any questions about this event via phone at 616.454.4771 ext 110, or by email at boxoffice@grballet.com. The box office is open Monday through Friday from 11:00 A.M. to 5:00 P.M.
IN THE COUNTENANCE OF KINGS | CREATORS

Lar Lubovitch
Biography
Lar Lubovitch is one of America’s most versatile and widely seen choreographers. He founded the Lar Lubovitch Dance Company in 1968. Over the course of 54 years, it has gained an international reputation as one of America’s top dance companies, produced more than 120 dances and performed before millions across the U.S. and over 40 countries. Many other major companies throughout the world have performed the company’s dances, including American Ballet Theatre, New York City Ballet, San Francisco Ballet, Paris Opera Ballet, Royal Danish Ballet, Alvin Ailey American Dance Theater, the Joffrey Ballet, Martha Graham Dance Company, and more. Lubovitch has created ice-dancing works for Olympians John Curry, Peggy Fleming, Dorothy Hamill, Brian Orser, JoJo Starbuck, and Paul Wylie, and he has created feature-length ice-dance specials for TV: “The Planets” for A&E (nominated for an International Emmy Award, a Cable AceAward, and a Grammy Award) and “The Sleeping Beauty” for PBS and Anglia TV, Great Britain. His theater and film work includes Sondheim/ Lapine’s Into the Woods (Tony Award nomination), The Red Shoes (Astaire Award), the Tony Award-winning revival of The King and I (on Broadway and in London’s West End), Disney’s Hunchback of Notre Dame in Berlin, and Robert Altman’s movie The Company (American Choreography Award). In 2016, he premiered “The Bronze Horseman,” based on the Pushkin poem, for the Mikhailovsky Ballet in Russia. In 1987, he conceived Dancing for Life, which took place at Lincoln Center. It was the first response by the dance community to the AIDS crisis, raising over one million dollars. Together with Jay Franke, in 2007 Lubovitch created the Chicago Dancing Festival, in collaboration with the City of Chicago and the Museum of Contemporary Art. It presented 10 seasons entirely free to the public. Recent awards: 2007 named Chicagoan of the Year by the Chicago Tribune; 2008 named similarly by Chicago Magazine; 2011 designated a Ford Fellow by United States Artists and received the Dance/USA Honors Award; 2012 his dance “Crisis Variations” awarded the Prix Benois de la Danse for outstanding choreography at the Bolshoi Theatre; 2013 honored for lifetime achievement by the American Dance Guild; 2014 awarded an honorary doctorate by The Juilliard School; 2016 received the Scripps/American Dance Festival Award for lifetime achievement and the Dance Magazine Award, named one of America’s Irreplaceable Dance Treasures by the Dance Heritage Coalition and appointed a Distinguished Professor at UC/Irvine. In honor of his company’s 50th anniversary, in 2018 he was presented with the Martha Graham Award for lifetime achievement.

Justin Peck
Biography
Justin Peck is the Resident Choreographer and Artistic Advisor of New York City Ballet. One of the most acclaimed and in-demand choreographers of his generation, he has created more than 50 works for NYCB and other dance companies around the world. His artistic collaborators include composers Dan Deacon, Bryce Dessner, Philip Glass, Nico Muhly, Steve Reich, Caroline Shaw, and Sufjan Stevens; and visual artists John Baldessari, Jules de Balincourt, Marcel Dzama, Shepard Fairey, Jeffrey Gibson, Karl Jensen, Eva LeWitt, and Sterling Ruby; and fashion designers Tsumori Chisato, Prabal Gurung, Mary Katrantzou, Humberto Leon, Raf Simons, and Dries Van Noten. Outside of NYCB, Peck has created ballets for the Paris Opéra Ballet, San Francisco Ballet, Miami City Ballet, Pacific Northwest Ballet, Houston Ballet, and L.A. Dance Project, and his works have also been performed by Dutch National Ballet, National Ballet of Canada, The Australian Ballet, Acosta Danza, Hong Kong Ballet, Joffrey Ballet, Boston Ballet, and Pennsylvania Ballet, among many other companies.
A native of San Diego, California, Peck studied at California Ballet before enrolling at the School of American Ballet in 2003. He was named an apprentice in 2006, joined the NYCB corps de ballet in spring 2007, and was promoted to Soloist in February 2013. His repertory as a dancer included ballets by George Balanchine, Jerome Robbins, Alexei Ratmansky, and Christopher Wheeldon, among others, in addition to performing in his own works. Peck first choreographed as a student at SAB in 2005. He participated in a working session at the New York Choreographic Institute, an affiliate of NYCB, in the fall of 2009, and received NYCI’s first year-long choreographic residency in 2011. He was named NYCB’s Resident Choreographer, the second in the Company’s history, in July 2014. Peck also served as a member of NYCB’s interim artistic team from December 2017 until his appointment as Artistic Advisor in February 2019, working closely with the artistic leadership on programming and choreographic commissions. Peck retired from dancing following NYCB’s 2019 Spring Season.

Dani Rowe
Biography
Dani Rowe is an internationally-renowned choreographer and current Artistic Director of Oregon Ballet Theatre.
After a ten-year career as a principal dancer with the Australian Ballet, Rowe joined Christopher Wheeldon’s Morphoses and Houston Ballet before joining Nederlands Dans Theater 1. There, she worked with luminaries Jiří Kylián, Crystal Pite, Mats Ek, Paul Lightfoot, Sol León, and more. Her rich career of performing, choreographing, and directing at the highest levels of dance has cultivated in her a curatorial aesthetic that blends cutting-edge programming alongside the best of classical and neoclassical genres.
Rowe has choreographed multiple works for San Francisco Ballet, Pacific Northwest Ballet, Oregon Ballet Theatre, and Royal New Zealand Ballet, to name a few.
Rowe’s work MADCAP (February 2023) for San Francisco Ballet was hailed a “triumph” (SF Chronicle). Her film Corps-en-tine for The Australian Ballet has been viewed over a million times online and was called “one of the best things to come out of quarantine” by VOGUE.
Upcoming choreographic commissions include Joffrey Ballet, Zurich Ballet, and more.
Dani lives in Portland, Oregon with her husband and two daughters.