Meet the professional dancers of Grand Rapids Ballet. This wonderful, diverse group includes dancers from around Michigan, the country, and the world. Their commitment and dedication to the art of dance and ballet is what makes what we do possible. Learn more about them here and follow us on Instagram, too!

Company

Yuko Horisawa
Company since 2019

Yuko began her ballet training at the Reiko Yamamoto Ballet School in 1998. She was chosen as a candidate for the prestigious Prix de Lausanne in Switzerland in 2011 and from this competition, she was awarded a scholarship to further her training at the John Cranko School in Stuttgart, Germany. Yuko won 1st Prize in All Japan Ballet Competition in 2008 and 2009. She has participated in “Opto dance project 2013 and 2015” by Rei Watanabe, “Ballet Creation 2017” by Megumi Nakamura, World Ballet Gala “K Ballet World 2018” dancing Don Quixote with Bakhiyar Adamzhan, Le Corsaire with Daniil Simkin. Nutcracker The Australian Conservatoire of Ballet 2018.

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Sarah Marley
Company since 2019

Ms. Marley was born on St. Croix in the U.S. Virgin Islands, training in the Cecchetti Method with Sonja Dickerson-Faust and Heidi Wright. She continued her training under the direction of Peter Stark with the Orlando Ballet School and was accepted into the trainee program at age fourteen, performing in the corps de ballet alongside the professionals.  Ms. Marley was invited by the legendary Fernando Bujones to join the company in 2004 and danced with the company for the next six seasons. That same year she became part of the Orlando Ballet School faculty, teaching various levels and adult ballet classes regularly. Ms. Marley has also danced with the San Diego Ballet, Company C Contemporary Ballet, the San Diego Opera, Chicago Repertory Ballet, and Smuin Ballet.  Through the course of her career Ms. Marley has performed soloist and principal roles in classical and contemporary works by Marius Petipa, George Balanchine, Twyla Tharp, Michael Smuin, Maurice Causey, Helen Pickett, Bruce Marks, Amy Seiwert, Patrick Corbin, Kenneth von Heidecke, and Garrett Ammon among others. This is Sarah's first season with Grand Rapids Ballet.

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Madison Massara Massara
Company since 2019, Trainee 2017-18

Madison was born in Royal Oak, Michigan. At eight, she began her training at Classical Ballet Theatre in Northern Virginia, and continued at Skye Ballet Center until a family move brought her to Grand Rapids. She has performed at the Kennedy Center in Ballet West’s 2012 production of The Nutcracker with Artistic Director Adam Sklute, and has competed at YAGP and the Indianapolis International Ballet Competition. In 2016, she was a Guest Artist in Skye Ballet Center’s The Nutcracker, and has furthered her ballet education by attending summer programs at Ballet Chicago, Pennsylvania Ballet, and Houston Ballet on full scholarship.

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Alexandra Meister-Upleger
Company since 2018

Alexandra trained under Ana Lobe in Ohio until 2008 when she joined Nashville Ballet. She danced with the company until 2018, during which time she performed principal roles in Nashville’s Nutcracker, Sleeping Beauty, Swan Lake, Dracula and Cinderella. She also performed leading roles in ballets by Christopher Bruce, Jiri Kylian and Paul Vasterling, and had the pleasure of working with Christopher Wheeldon, Brian Enos, James Gregg, Darrell Moultrie, Gina Patterson, Sarah Slipper, James Sewell and Christopher Stuart. In 2018 she joined the Grand Rapids Ballet. Performance highlights have included Principal Girl in Balanchine’s Allegro Brillante, Clara in Val Caniparoli’s The Nutcracker, Mrs. Alving in Ibsen’s House and the esemble of Trey McIntyre’s Wild Sweet Love. She was honored to perform two world premieres by James Sofranko, Ballade and The Sweet By and By, set on her. In the summer of 2016, performing a pas de deux, she represented the USA at the 27th International Ballet Competition in Varna, Bulgaria. Previous solo competitions include the 2010 USA International Ballet Competition in Jackson, Mississippi and the 2011 Boston International Ballet Competition.
Besides for teaching for the past 10 years, Alexandra coaches and choreographs for both competitive and pre-pro ballet schools.

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Yuka Oba-Muschiana
Company since 2011

Yuka was born in Japan where she received her training from Hitomi Takeuchi Ballet School. In 2006, she attended English National Ballet School in the UK where she also danced many soloist roles. Upon graduating, Mario Radacovsky invited her to join the Slovak National Ballet where she danced a variety of roles. Yuka was then invited to join Grand Rapids Ballet in 2011 where she has since danced principal roles in ballets by Annabelle Lopez Ochoa, Olivier Wevers, and Penny Saunders. Yuka has won many competitions in Japan including NBA All Japan Ballet Competition, Saitama All Japan Dance Competition, UB All Japan Ballet Union Competition, International Ballet Competition in Yokohama, and others. In 2013, Yuka had the honor of performing Olivier Wever’s The Sofa at the Joyce Theatre in New York and reprised her role in Seattle. Yuka performed Le Corsaire Pas de Deux in the gala at The National Theatre in Tokyo and the Pas de Deux from Le Carnaval de Venise in Fukushima. In 2014, Val Caniparoli choreographed Clara on Yuka for the world premiere of The Nutcracker. She also choreographed Tomorrow Never Comes for MOVEMEDIA in 2015.

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Emily Reed
Company since 2018

From Monee, Illinois, Emily began dancing when she was three. She studied at Faubourg School of Ballet followed by the Ruth Page Center of the Arts, where she trained under beloved ballet master Larry Long. Emily attended various summer intensives across the country on scholarship and was one of the first trainees for Joffrey Ballet in Chicago. Emily spent 2010–12 in the Milwaukee Ballet II program where she performed a wide range of repertoire with MBII and in the main company productions. She spent six seasons with Minnesota Ballet and danced such roles as Lucy in Dracula, Sugar Plum Fairy in The Nutcracker, Titania in A Midsummer Night’s Dream, Aurora in Sleeping Beauty, in Salvatore Aiello’s Clowns and Others, and in George Balanchine’s Who Cares? and Tarantella. Emily has also performed in the Lake Arts Project in Milwaukee, Wisconsin, as well as guested for the St. Lucie Ballet in The Nutcracker as the Sugar Plum Fairy.

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Gretchen Steimle
Company since 2019, Apprentice 2017-18

Gretchen was raised in Austin, Texas, and began her dance education under the umbrella of Tapestry Dance Company where she first pursued a multiform dance education. While there, she received training from Grace Holmes and David Justin. At 15, she moved from home to train with Boston Ballet School’s Pre-­Professional Program under the direction of Margaret Tracey. After attending a summer course at Pacific Northwest Ballet, she joined its Professional Division under the direction of Peter Boal. While in Seattle, Gretchen received training from diverse and talented faculty, performed in numerous company productions, and originated new roles through PNB Next Step choreographic program. During her first year at PNB, she was offered the opportunity to work with Dresden Semperoper Ballet and spent two months performing La Bayadére in Germany. Gretchen has attended summer programs with American Ballet Theatre, Boston Ballet School, Pacific Northwest Ballet, Kansas City Ballet School, Ballet Austin, and Suzanne Farrell.

Julia Turner
Company since 2019

Julia Turner began her training at The Academy of Dance Arts (Downers Grove, IL) and continued at Joffrey Ballet’s Academy of Dance in Chicago. She attended summer programs on scholarship at Pacific Northwest Ballet and Miami City Ballet. In the Chicago Youth America Grand Prix, Julia received first place in the contemporary category and second place in the classical category. Julia was a scholarship student in Pacific Northwest Ballet’s Professional Division for two years; during this time, she performed corps roles with the company in The Nutcracker, Swan Lake, Sleeping Beauty, A Midsummer Night’s Dream, and Giselle. After completing this program, Julia joined Tulsa Ballet II, where she performed in original works by Ma Cong and Norbert de la Cruz III and with the main company. After one year in Tulsa, Julia joined Grand Rapids Ballet as a company member for two seasons under the artistic direction of Patricia Barker, where she performed featured roles in works by George Balanchine, Annabelle Lopez Ochoa, Paul Taylor, and others. Julia then joined Ballet San Antonio, where she danced for two seasons, performing in ballets such as Rubies by George Balanchine and in original productions by Willy Shives, and Bruce Wells.

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Adriana Wagenveld
Company since 2019, Apprentice 2017-18, Trainee 2015-16
Adriana is originally from Puerto Rico, and started her training at the age of 3 after her family moved to Illinois. She trained at two different studios over 12 years, and competed and placed in the Top 12 at YAGP, in both classical and contemporary categories. Adriana attended Grand Rapids Ballet’s Summer Intensive on scholarship in 2015. From there, Patricia Barker invited her to join the professional company. While dancing under Patricia, Adriana worked with many renowned choreographers such as Robyn Mineko Williams, Danielle Rowe, Annabelle Lopez Ochoa and Bruce Wells. She performed in several classical ballets, Balanchine’s Serenade being among her favorite. Under the direction of James Sofranko, Adriana has had the honor of performing works such as Testimony by Penny Saunders and Trey McIntyre’s Wild Sweet Love, and had the pleasure of working with Alejandro Cerrudo for his work Extremely Close.
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Isaac Aoki
Company since 2014, Apprentice 2013

Isaac is from Salt Lake City, Utah and began his ballet training at Ballet West Academy. He then studied at Salt Lake Ballet Conservatory, The University of Utah Ballet Department with Conrad Ludlow and Mikhail Tchoupakov, and the Kirov Academy of Ballet in Washington DC with Nikolai Kabaniaev. Isaac attended summer courses on scholarship at The School of American Ballet, Kaatsbaan, PNB, Ellison Ballet, and Miami City Ballet School. Isaac received a full scholarship to attend the Professional Division at Pacific Northwest Ballet in Seattle where he performed with the company.

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James Cunningham
Company since 2019

James Cunningham is originally from Little Hocking, Ohio. His early dance education began at age 10 from the Mid Ohio Valley Ballet Academy. In 2010, he graduated from the College Conservatory of Music at the University of Cincinnati. While earning a BFA in dance on full scholarship, he was also able to begin his career as a professional dancer with Cincinnati Ballet in 2008. There, James performed roles such as Puck from A Midsummer Night's Dream, Mercutio from Romeo and Juliet, Country Boy from Fancy Free, Principal Pas de Deux from Rubies, Escamillo from Carmen, the Mad Hatter from Alice in Wonderland, and Kashchei from Firebird. James danced with Cincinnati Ballet for 11 seasons and was promoted to Soloist in 2016. Cunningham has worked with many choreographers; Adam Hougland, Darrell Grand Moultrie, Jennifer Archibald, Justin Peck, Ma Cong, Annabelle Lopez-Ochoa, Trey McIntyre, Val Caniparoli, Nicolo Fonte, and Yuri Possokhov. In 2016 and 2017 James was selected to be a dancer for the National Choreographers Initiative. Beginning in 2014, James has taught year round for the Otto M. Budig Academy of Cincinnati Ballet. His choreography "Prohibition Condition" was selected for Director's Cut in 2016. That year he also created a ballet for the fall showcase at the University of Cincinnati. Chamber music groups in Cincinnati have commissioned him for short works that cater to site specific venues. James has also contributed choreography for an annual benefit concert in Columbus, OH. Proceeds go to the Central Ohio Chapter of the National Hemophilia Foundation. He has also created works for Cincinnati Ballet II. In 2017 he made a duet in collaboration with musician Brice Dessner that opened the Music Now Festival. His most recent solo work, “Mercurial Impulses,” appeared at the 2018 USAIBC for bronze medalist Chisako Oga. James is honored and excited to be starting the next new chapter of his dance career by joining Grand Rapids Ballet.

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Ednis Gomez
Company since 2014

Ednis Gomez was born in the Dominican Republic, where he began his training at Expresiones y Danza Soraya Gallardo at the age of 16. In 2007, Ednis moved to Madrid, Spain, where he was chosen to study choreography and interpretive dance in the Alicia Alonso institute at King Juan Carlos University. While studying, he danced as a soloist at Ballet de Camara de Madrid for five years. Returning to the Dominican Republic, Ednis danced choreography by Annabelle Lopez Ochoa and others with the National Ballet. In 2014, he was invited to dance as a guest in Grand Rapids Ballet’s production of A Midsummer Night’s Dream.

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Steven Houser
Company since 2011

Steven began his ballet training at the age of six in his hometown of Portland, Oregon. He has studied at Metro Dancers, Portland Community Ballet, Arts and Communication Magnet Academy, and the School of Oregon Ballet Theatre. He also spent summers studying on scholarship at San Francisco Ballet School, Pacific Northwest Ballet School, and the School of Oregon Ballet Theatre. Steven joined Oregon Ballet Theatre as an apprentice in 2004, was made a full company member in 2005, and was promoted to soloist in 2007. He joined the Grand Rapids Ballet in 2011. Steven had performed nationally and internationally in Japan, Korea, Juneau and Anchorage, Alaska, Marion Oliver McCaw Hall in Seattle, and the Kennedy Center in Washington D.C.

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Josue Justiz
Company since 2018

Josue was born in Cuba where he began studying ballet at nine in his hometown of Santiago de Cuba. When he was 14, he entered the National Ballet School of Cuba in Havana under the guidance of masters Fernando Alonso and Ramona de Saa. During his time there, he was a successful competitor in the International Ballet Competitions of Havana winning one silver and two gold medals. After graduation, he entered the National Ballet of Cuba under the direction of Prima Ballerina Assoluta Alicia Alonso. After only two years with the company, he earned the title of soloist. He came to the United States permanently soon after where he joined the Studio Company of the Washington Ballet. In 2014, he joined the former Ballet San Jose under the direction of ballet legend Jose Manuel Carreño. Jose is a founding member of Dimensions Dance Theatre where he collaborated with well-known choreographers such as Septime Webre, Tara Reid, Vicente Nebrada, and Yanis Pikieris.

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Branden Reiners
Company since 2015

Branden is originally from New Jersey and began his training in New York at the School of American Ballet. He later trained under scholarship at Boston Ballet and San Francisco Ballet. In 2013, he joined the Minnesota Ballet where he danced works by George Balanchine and Ginger Thatcher. Branden also performed lead roles in The Nutcracker and A Midsummer Night’s Dream.

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Nigel Tau
Company since 2016, Apprentice 2015

Nigel began dancing at age 10 with The Academy of Dance in his home town of Savannah, Georgia. In 2013, he became a trainee with Next Generation Ballet, and performed in the school’s own productions as well as with Opera Tampa and the Florida Orchestra. He went on to train with BalletMet on a full scholarship, where he performed and rehearsed alongside the company in shows such as The Great Gatsby and The Nutcracker. Since he started working with the company in 2015, he has been a part of tours to Kalamazoo, St. Louis, and Seattle, and performed in pieces such as Paul Taylor's Company B, Annabelle Lopez Ochoa's Dangerous Liaisons, and Penny Saunders' The Happy Price and Other Wilde Tales. In his time with the company has also had the privilege of working with choreographers such as Brian Enos, Jennifer Archibald, Dani Rowe, and Bruce Wells, among others. His first work, Errant Thoughts, debuted on the company in 2019.

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Matthew Wenckowski
Company since 2015

Matthew is from St. Charles, Illinois, where he received his early training at Moves Dance Studio in North Aurora. As a competitive dancer with Excel Dance Productions, he was awarded the national title Senior Mr. Adrenaline at the age of 17. Matt joined the Joffrey Academy of Dance’s pre-professional and trainee programs under the direction of Alexei Kremnev and Anna Reznik, performing with the Joffrey in The Nutcracker as well as in pieces created for the Joffrey Academy by Alexei Kremnev and Ray Mercer. He has studied on scholarship at Lou Conte Dance Studio under the guidance of Claire Bataille. Matt then joined DanceWorks Chicago under the direction of Julie Nakagawa. It was there he had the privilege touring nationally and internationally performing works choreographed by Francisco Aviña, James Gregg, Christian Denice, Autumn Eckman, Thom Dancy, Harrison McEldowney, and many more.

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Nathan Young
Company since 2018

Originally from Little Rock, Arkansas, Nathan began his training at the age of 13 at the Arkansas Academy of Dance under Mark Bush, Melinda Tobian, and Rebecca Miller-Stalcup. He attended summer intensives at Joffrey Ballet, Ballet West, and Long Beach Ballet, training with teachers such as John Magnus, Jeff Rogers, and Daniel Ulbricht. In 2013, Nathan graduated from the University of Oklahoma, where he received a Bachelor’s of Fine Arts in Ballet Performance. After college, Nathan moved to Nashville, Tennessee, dancing for the Dance Theatre of Tennessee for one season and Nashville Ballet for four seasons. He has toured to cities such as Eisenstadt, Austria, Washington D.C., and Charleston, South Carolina.

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Apprentices

Emily Barrows
Apprentice since 2019, Trainee 2017-18

Emily began dancing at eight at her local dance studio where she quickly discovered her passion for classical ballet. She attended many summer intensive programs including Central Pennsylvania Youth Ballet, Orlando Ballet School, Ballet Austin, and Atlanta Ballet. In 2016, she was offered a full scholarship to the Conservatory program at Atlanta Ballet, where she was privileged to perform in company roles. She also studied at Koltun Ballet Boston.

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Audra Cockrell
Apprentice since 2019

Audra spent much of her childhood living abroad in the Netherlands and Japan. She began her dance education at the age of eleven when returning to the United States. By sixteen she was studying at the Margaret Barbieri conservatory and performed with the Sarasota Ballet Company in works by George Balanchine and Matthew Hart. Audra then went on to study at the Harid Conservatory, Next Generation Ballet, and Pittsburgh Ballet Theater's School Graduate Program. She attended many summer intensive programs such as The Royal Ballet school, Pacific Northwest Ballet, Ballet West Academy, and Sarasota Ballet, all on a merit scholarship.

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Celeste Lopez-Keranen
Apprentice since 2019, Trainee 2017-18

Celeste began her ballet training at Lakeshore Dance Arts in Grand Haven, Michigan, under the direction of Nancy and Jefferson Baum. She then made the move to the Grand Rapids Ballet School in 2008 and enjoyed many years performing in The Nutcracker, Who Cares, and other Junior Company productions under Patricia Barker and Attila Mosolygo. Celeste has trained at summer programs such as American Ballet Theatre New York, and San Francisco Ballet.

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Emily Sipnick
Apprentice since 2019

Emily is from Naples, Florida and started dancing at age four training incontemporary, jazz, modern, and salsa. She started her ballet training when she was twelve years old and was given merit scholarships to study at the Miami City Ballet Summer Intensive, where she was invited to attend their pre-professional and ensemble program. While a student with the Miami City Ballet, Emily Performed in works such as George Balanchine’s Pas de Dix and Raymonda Variations, August Bournonville’s Ballabile, and original works by choreographers Pam Tanowitz, Durante Verzola, and Geta Constantinescu. She also has trained at summer programs with Next Generation Ballet and was a guest artist for the Naples Dance Conservatory’s production of Alicia Alonso’s Coppélia as Swanhilda.

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Logan Velasquez
Apprentice since 2019

Born in the suburbs of Chicago, Logan’s love for dance started at age two. As a young teen she studied at Faubourg School of Ballet where she earned multiple Youth American Grand Prix Top 12’s in both classical and contemporary. She later went on to study with Dan Duell at Ballet Chicago. Logan was chosen by Adam Sklute to perform as Little Red Riding Hood during Ballet West’s tour of Sleeping Beauty in Chicago. Her summers were spent training on scholarship at The School for American Ballet, San Francisco Ballet, Houston Ballet, and Next Generation Ballet. During the summer course at Next Generation Ballet, she was offered a full scholarship to their year round program (led by former New York City Ballet principal dancer Philip Neal) where she won 1st place in YAGP’s ensemble category. In the summer of 2018 she attended The School at Jacob’s Pillow ballet program under the direction of Anna-Marie Holmes. Most recently Logan was an apprentice at Charlotte Ballet working with choreographers such as Peter Chu, Dwight Rhoden, Stephanie Martinez, and Mark Diamond. She was also coached in soloist roles by Patricia McBride in Balanchine’s Raymonda Variations and Who Cares. When home, Logan can be found training with her mentor Peff Modelski at Visceral Dance Chicago and Hubbard Street.

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Akira Bischoff
Apprentice since 2019

Born in Missoula, Montana, Akira Bischoff started studying ballet in Puerto Rico at the Western Ballet Theatre under the direction of Nana Badrena. Akira later spent four years studying at the New American Youth Ballet before he was accepted to study at the School of American Ballet at fourteen earning the Jerome Robbins Foundation scholarship while studying there for three years. Akira then went to study at the San Francisco Ballet School on a full-scholarship where he completed his studies (before joining the Grand Rapids Ballet as an apprentice). During his time at the School of American Ballet, he studied under Jock Soto, Jonathan Stafford, Joaquin De Luz as well as Andrei Kramarevsky. Akira later studied closely with Pascal Molat as his primary teacher and Jaime Diaz during his time at the San Francisco Ballet School. Akira has studied under Julio Bocca who guest taught at the school. While at the School of American Ballet he had the opportunity to perform with the New York City Ballet in George Balanchine’s Nutcracker as well as their production of the The Sleeping beauty. Similarly, at the San Francisco Ballet School, he had the opportunity to perform with the San Francisco Ballet in both Helgi Tomasson’s Nutcracker and Sleeping Beauty. Akira has also performed George Balanchine’s Stars and Stripes and Jiri Kylian’s Sarabande with the school. Akira has also performed in the gala performance of the World Ballet Competition 2010 after placing 4th.

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Yuri Rodgers
Apprentice since 2019

Yuri Rodgers began his training at the Academy of Ballet San Francisco at the age of ten, and in 2014 he had the opportunity to perform as the Cavalier in The Nutcracker with the Northern California Ballet. Yuri partook in summer intensives at The Joffrey Ballet Chicago and Hubbard Street Dance Chicago. In 2017 Yuri joined the Joffrey Ballet Chicago as a trainee where he spent two years training. Yuri has performed in works by George Balanchine, August Bournonville, Richard Gibson, Paul Taylor, and Lar Lubovitch.

Trainees

Sienna Clark
Trainee since 2019

Sienna began her ballet training at Emerald Ballet Academy in Bellevue, Washington, under the direction of Viktoria Titova. She spent the last four years training at the San Francisco Ballet School, where she had the pleasure and privilege of performing student and corps de ballet roles in Helgi Tomasson’s The Sleeping Beauty, Meistens Mozart, and Nutcracker; George Balanchine’s Serenade, Coppélia, and Stars and Stripes; and Jiří Kylián’s Falling Angels. Sienna has attended summer intensives at the School of American Ballet, Pacific Northwest Ballet School, Houston Ballet Academy, Oregon Ballet Theatre School, and San Francisco Ballet School.

Bailee Columber
Trainee since 2019

Bailee was born in Las Vegas, Nevada. At the age of 3, she began dancing at The Dance Zone in Henderson, NV, under the direction of Jamie Artiga and Kaydee Francis. At the age of 8, she moved to East Lyme, Connecticut where she began training in a strictly pre-professional program at Eastern Connecticut Ballet under the direction of Gloria Govrin. Since then, she has spent summers training with Wendy Whalen, Sara Mearns, Francis Vyette, Adrian Danchig, Damara Bennett, Anrantxa Ochoa, Amy Aldridge, and more. She is unbelievably excited to be starting my professional career with Grand Rapids Ballet!

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Emily Kayser
Trainee since 2019

Emily began her dance training at Portsmouth School of Ballet at the age of 3 in her hometown of Portsmouth, New Hampshire. At 14, she moved away from home to attend Walnut Hill School for the Arts for her freshman and sophomore years of high school. From there, she spent a year at Central Pennsylvania Youth Ballet under the direction of Marcia Dale Weary before spending her senior year with Miami City Ballet’s Pre-Professional II Program. After attending the summer course at Pacific Northwest Ballet, she was invited to join their Professional Division, where she spent a year training and performing alongside the company. Additionally, Emily has attended summer courses on scholarship at the Chautauqua Institution, School of American Ballet, and Central Pennsylvania Youth Ballet. She has performed multiple works by George Balanchine, such as Rubies with Charlotte Ballet, The Nutcracker with CPYB and PNB, Raymonda Variations at MCB School, and as a demi soloist in Walpurgisnacht at the Chautauqua School of Dance.

Ingrid Lewis
Trainee since 2019

Ingrid began ballet training in her hometown of Oak Park, Illinois, under the instruction of Stephanie Clemens, JP Tenuta and Valery Dolgallo. She continued her studies at the Harid Conservatory under Victoria Schneider, Olivier Pardina, Donald Tolj and Svetlana Osiyeva. She then spent one year as a trainee with the Joffrey Ballet in Chicago and attended the Royal Danish Ballet Exchange Program in Copenhagen. Ingrid joined the Pittsburgh Ballet Theatre Graduate Program where she performed in George Balanchine’s Western Symphony, Ben Stevenson’s Dracula, Derek Deane’s Alice in Wonderland and Terence Orr’s Nutcracker. Ingrid attended various summer intensives on full scholarship including American Ballet Theatre, Pittsburgh Ballet Theatre, Harid Conservatory, Texas Ballet Theater and Orlando Ballet.

Maeve Senter
Trainee since 2019

As a native of Pittsburgh, Pennsylvania, Maeve began her ballet training at the Ballet Academy of Pittsburgh. She later trained on scholarship at the Colburn Dance Academy in Los Angeles, under the direction of Jenifer Ringer and James Fayette. While there, Maeve performed in numerous ballets including George Balanchine’s Who Cares?, The Four Temperaments, Concerto Barocco, and Valse Fantaisie. She has originated roles in Jason McDole’s Chasing Souls and IV, and in Dina Bilofsky’s Quartet. Maeve spent her summers dancing on scholarship at Carolina Ballet, Pacific Northwest Ballet, the School of American Ballet, and Boston Ballet.

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Sophia Stefanopoulos
Trainee since 2019

Sophia was born in New York, NY and raised in Redding,Connecticut. By commuting daily to the city, she attended the Professional Children’s School while dancing with the Manhattan Youth Ballet. There she worked on numerous George Balanchine works such as Theme and Variations, A Midsummer Night’s Dream, and Raymonda Variations with Deborah Wingert, Erin Fogarty, and Daniel Ulbricht. Along with ballet opportunities, she worked with jazz master Francis J. Roach, Eugene “Luigi” Faccuito’s protége, on the classic jazz Sing, Sing, Sing!. In the past two years, Ms. Stefanopoulos joined the Joffrey Ballet as a Trainee. In Chicago, she performed Gerald Arpino’s Viva Vivaldi, Petipa’s Swan Lake, Paul Taylor’s Promethean Fire, Lar Lubovitch’s Concerto 622, Marissa Osato’s Give the People What They Want, and Edgar Zendejas’ Lineas. Additionally, Sophia has traveled across the country for summer programs at Walnut Hill School of the Arts, Connecticut Ballet, Central Pennsylvania Youth Ballet, Charlotte Ballet, Alvin Ailey Dance Theater, Joffrey Academy of Dance Chicago, Hubbard Street, and Carolina Ballet.

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