By James Sofranko, Artistic Director
Welcome to Spring at Grand Rapids Ballet! It is always busy around here, but especially during these last few months of the season. From our full-length company production of Swan Lake, right into Jumpstart and In the Countenance of Kings, our Junior Company performances of the Butterfly Ballet at Meijer Gardens and Wizard of Oz, our Spring Break for Kids performances of The Emperor and the Swan performed by our apprentices and trainees, and our school’s Spring Showcase, it feels like a sprint to the end of the season!
For our professional company, In The Countenance of Kings is a fitting finale to our record-breaking season. It exemplifies our world-class attitude and future-forward posture towards the art of ballet. In the first half of the program we have four shorter contemporary ballets: a work created last year for GRB (Plume by Penny Saunders), an intimate duet (For Pixie by Dani Rowe), a contemporary classic (Concerto 622 by Lar Lubovitch), and a world premiere (title TBA by myself). The second half of the program is Justin Peck and Sufjan Stevens’ In The Countenance of Kings, a ballet made by and for a new generation of dancers and audiences. Every ballet is unique, and pushes our art form forward into the future. We do ballets like Swan Lake very well, but we also evolve with relevance in a program like this.
Speaking of my new work specifically, after choreographing Swan Lake this February, this new piece is so very different! Musically, I am going from Tchaikovsky’s orchestral melodies to the guitar and raw vocals of singer songwriter Ray LaMontagne. The women will be in flat shoes instead of pointe shoes and the movement is much more contemporary than Swan Lake. I was always a dancer that enjoyed both classical and contemporary works, and I guess my choreographic desires have followed suit! It has been fun to shift gears like this, although I am remembering that choreographing outside of the classical canon can be more time consuming, because you are not utilizing a known vocabulary, but taking the time to discover new movements, shapes, and partnering. I thank the dancers for their trust in me to try new things, and I hope that you enjoy what we have “discovered” together.
So much happens behind the scenes to bring our productions to life, and I want to take this opportunity to thank those individuals and organizations who have shown us support not just this season, but through many seasons. The fact is that they allow us to exist as Michigan’s home for professional ballet. I was so pleased to speak about our dear friend Mary Nelson at our annual Gala last October, and to be able to present her with our first ever Réverance Award. This award honors Mary’s exemplary generosity and commitment to the ballet over many years. Mary and her husband Jim are our 25/26 season sponsors, along with The Wege Foundation, and we could not do what we do without their love for the Grand Rapids Ballet. Jim and Mary are passionate supporters of the arts and the city of Grand Rapids, and their leadership has paved the way for others to follow. I will be forever grateful.
As I look to the future, I see a growing city around us (literally growing in our neighborhood) and I am excited about our role in that growth. Together with interim CEO Leah Voigt, our staff and board, and in partnership with the DeVos Capacity Building Initiative led by arts management expert Michael Kaiser, we are creating a strategic plan that puts the ballet at the forefront of the culture our city has to offer. We are looking at ways to increase our presence across the state, and we have plans to produce our beloved Nutcracker in Detroit this coming holiday season. We are exploring ways to increase our school’s reach, beginning this summer with dance camps at a new satellite location in Ada. Our subscriber and ticket sales have reached record levels and our dancers and productions have been mentioned in national publications such as The Washington Post and Pointe Magazine.
Even with all of these exciting initiatives, we still must depend on the support of our community members. Next season, to bring ballets such as Annabelle Lopez Ochoa’s Broken Wings (about painter Frida Kahlo), Jerome Robbins’ iconic Fancy Free, and Ben Stevenson’s Alice in Wonderland, we must raise at least 50% of our budget through philanthropy. Thank you to everyone who contributes to our success, we literally would not be here without your support.
I hope you have been inspired by our 25/26 season and you will consider making a donation today, to help us grow and accomplish our ambitious goals for the future. Please know that every dollar matters, and no donor support is ever “too small.” Your support truly makes a difference, as we literally would not be here without you.
I hope you are as excited about our26/27 season as I am, and I look forward to welcoming you back in the fall!
James Sofranko
